Chinese symbols, such as tables and chairs, doors and windows, porcelains, paintings and carvings, have distinct artistic charm and strong cultural aesthetics. The design of Chinese Hotel originates from Chinese symbols, not just from the stacking of symbols. It is either careful about rigorous and symmetrical planning, highlighting the magnificent and magnificent spirit: or careful about the style of clothes, shape with objects, sprinkle more and more agile wind; or deliberate about the implication, heavy ink and colour, creating scenery; or natural, shallow outline of a few pens, to achieve its true beauty... Chinese hotel design is intended to focus on the aesthetic needs of modern people to create a space full of traditional charm, so that traditional art in the East, in the design, in the heart.
Chinese Hotel design, with the design concept of "mountains, waters, clouds, crowns, shadows" as the intoxicating poems on the cold moonlight night, brings the Chinese garden artistic conception of "cicada noisy forest is more quiet, shadows more quiet" into full play. Its courtyard design is based on the aesthetic ideas of "taking the natural way, building the natural way" and "rebuilding the universe within the boundaries of the earth", which integrates the house and garden, makes the courtyard beautiful, arranges mountains and waters according to rules, has profound charm and long meaning, makes the courtyard of Chinese hotels full of affection, paintings from time to time, and poems from face to face. Enjoyable, travelable and elegant. It is: skillfully, painting a purple side of the mountain ink; simplify the complexity, the shadow of the moon reflects a good time.
The courtyard of a Chinese hotel is like an ancient painting without staining the dust. It has a quiet winding path, towering emerald hills, sparse flowers and trees, rich landscape and strong elegant charm, giving people a sense of natural harmony and fluency in painting, poetry and rhyme. On leisure days, there are about two or three confidants in Chinese-style hotels, no desire to leave their names, no desire for sages, no chaos in their ears, and no alarm in the rise and fall of perfume. Or under the eaves, listen to the rain and wind, see the green, fat, red and thin, carry two sleeves of breeze, play chess games, free and comfortable, enjoy the joy.
The elegant rooms in the halls of Chinese-style hotels have well-placed objects without losing their chic demeanor. They are elegant and elegant without losing their simple and natural space temperament. Whether it is the arrangement of mahogany furniture, the matching of curtain cloth art, or the decoration of porcelain decorations, the sound of Guqin Yayin, all intends to show the restraint and elegance of Oriental aesthetics, thus creating a "one pure, two leisurely, three casual, four free and elegant" life style, and extremely elegant. This is the expression of the beauty of Chinese style and the supreme pursuit of leisure life in people's minds.
Pushing Xuan windows, crossing doors and traveling in the nature of mountains and rivers, hearing the sounds of heaven and sounds of the times, with various wonderful ideas, playing the piano elegantly and forgetting the machine; or lying idly on a small couch, smelling the fragrance of deep fragrance, tasting the tea of tranquility; or reading paintings quietly, tasting the orchid pavilion, dyeing the poetry of ancient Chinese poetry and following the spirit of seclusion of the ancients. It's just like a wild crane in a leisurely cloud. It's not like in the world to dance and figure out the shadows.